(Singer-songwriter, b. 1963) Born Georgios Panayiotou of North London, Greek-Cypriot heritage, Michael served a very public initiation with teeny-boppers Wham!. In the mid-1980s he released a pair of solo singles, ‘Careless Whisper’ and ‘A Different Corner’, dissolving Wham! in 1986. He re-emerged in 1987 with the pristine adult pop of Faith, which hooked the ...
(Mekh’-a-el Pri-tô’-re-oos) c. 1571–1621 German composer and theorist Born into a strict Lutheran household, Praetorius became one of the greatest and most prolific early composers in the Protestant tradition. He composed over 1,000 sacred works – mostly hymns based on Lutheran chorales, but also German psalm settings and some Latin-texted works. Today, however, Praetorius is best known ...
Jazz and R&B star George Benson (b. 1943) seemed destined for a respected but low-key career in cool jazz until he adopted a funky hybrid of jazz and soul for the 1976 album Breezin’. Driven by accessible instrumentals and a smash reworking of Leon Russell’s ‘This Masquerade’, the album made Benson the biggest star to cross over from jazz to pop ...
With his wide range of standard and unorthodox techniques, George Lynch (b. 1954) became a guitarist’s guitarist as he cruised through the various incarnations of his bands Dokken and Lynch Mob. Born in Spokane, Washington, and raised in California, Lynch became lead guitarist of Dokken in 1980 after auditioning for Ozzy Osbourne in 1979 and losing out ...
Though he has been cited by countless rock guitarists as a major influence, and despite the fact that he cofounded legendary metal band Scorpions, guitarist Michael Schenker (b. 1955) remains one of the most underrated and underappreciated guitarists of all time. Born in Sarstedt, Germany, Schenker was first turned on to the guitar when his older brother ...
Pigeonholed as the ‘quiet one’, misunderstood as an adopter of Eastern religion and music, and overshadowed (sometimes maligned) by his prolific, trail-blazing bandmates Lennon and McCartney, George Harrison (1943–2001) might have become a footnote in musical history. But as a member of The Beatles, Harrison made the words ‘lead guitar’ a household term and steadily developed as ...
1685–1759 English composer George Frideric Handel is one of the best known of all Baroque composers. His gift for melody, his instinctive sense of drama and vivid scene-painting, and the extraordinary range of human emotions explored in his vocal compositions make his music instantly accessible. Works such as Messiah (1741), Water Music (1717) and Music for the Royal Fireworks ...
1808–70 Irish composer Balfe was the most successful composer of English operas of the nineteenth century. The Irish-born Balfe made his name as a singer with a fine baritone voice, and sang in Rossini’s The Barber of Seville in Paris, as well as taking leading roles in Italy until 1833. His reputation as a composer began in London with ...
(Zhôrzh Be-za’) 1838–75 French composer When Bizet died at the age of 37, he was considered a failure by the French musical establishment. He had had several operas produced in Paris, but none of them had been wholly successful; now his latest work, Carmen, had caused a scandal. Bizet’s reputation was at its lowest ebb, but already ...
(Bass, 1892–1969) Known for his powerful, slap-bass sound and signature solos, Foster worked with the Magnolia Band and A.J. Piron before playing in Fate Marable’s riverboat band (1918–21) and collaborating with Kid Ory and others during the 1920s. In 1928 he played with King Oliver’s Dixie Syncopators in New York and then joined the Luis Russell Orchestra ...
(Piano, composer, 1898–1937) One of the most enduringly popular composers of the twentieth century, Gershwin composed such enduring melodies as ‘Summertime’, ‘Embraceable You’ and ‘Let’s Call The Whole Thing Off’. His tuneful songs with their rich harmonic progressions are ideal for improvisation and were popular with jazz musicians including Louis Armstrong, Art Tatum, Oscar Peterson, ...
(Clarinet, alto saxophone, 1900–68) Lewis (born George Louis Francis Zeno) led bands in New Orleans in the 1920s, but he remained in the Crescent City while many of his colleagues headed north to Chicago, where the Jazz Age was being forged on the city’s South Side. Lewis did not record until the 1940s (in sessions that teamed ...
(Trombone, 1915–97) Scottish-born George Chisholm made his name as a top-class traditional jazz trombone player, but also played piano and several other brass instruments. He started out in Glasgow dance bands before moving to London, where he became an accomplished bandleader and arranger, and a successful television personality in comedy shows in the 1960s. Notable jazz associations ...
(Composer, arranger, b. 1923) Cincinnati-born George Russell is one of a small number of jazz musicians whose primary reputation was earned as a composer and theoretician rather than as an instrumentalist. Initially a student of drums and later a pianist, Russell ultimately limited his onstage contribution to conducting, albeit in the style of a consummate showman. He ...
(Tenor saxophone, flute, 1940–92) A passionate voice on tenor sax in Charles Mingus’s last band (1973–76), Adams co-led one of the most dynamic quartets of the 1980s with pianist Don Pullen; it also featured Mingus drummer Dannie Richmond and bassist Cameron Brown. In a series of 12 recordings through the 1980s for the Soul Note and Timeless labels, ...
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David Bowie
Fantastic new, unofficial biography covers
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